Giulia Cenci’s work explores the collision of humans, animals, and objects, the resulting hybrid figures embodying the tension between identification and distortion. These category-defying organisms, which are typically composed of found material and industrial objects, evoke a world in which the distinction between the organic and the mechanical, human and animal, have become blurred. The works are a reflection on a world in transformation – at once fragile and untamable. The sculpture presented in Two Hectare is a human size biped, with the head of a wolf, resting on all fours. The pelvis, represented by the mold of a cow’s bone, is slightly lifted above the head, one arm curled around the skull. The rest of the body is composed of molds of branches and human bones connected in a pose facing the ground, suggesting both bestiality and submission.




